poetry

Verse – Swati Sarangi

Resurrection: A Tale of Self Exploration

A large vacant hall
housed me which
Sitting over a mat and a set of
My all-time-companions.
A sudden power cut
forced my mind to instantly halt which
Amidst the prevalent darkness
When I gazed at the night sky
Filled with numerous twinkling jewels
Radiating a silvery spark
I started thinking on many aspects
Which proved to be an eye opener
“Have I been living my life fully?”
Paradoxically questioned I
To myself, after a long while
Came another question
Instead of the answer that
I desired to give myself
“What’ll I be leaving behind
If I die at this moment?”
All my thoughts of despair
Collapsed when I realised
It had always been my worries creating
Those uncertain state of reality
That had imprisoned me
Veiling my energetic spirit.

It was a moment of
Waking up from a deep slumber
The power cut was no more
And it became the moment of resurrection
Of my dormant soul.

 

 

 

 

 


Swati Sarangi
is a poet from India. Read more from her blog: Creative Constellations.

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poetry

Verse – Shaheen Parshad

Each Day

Each day is a chance
For starting life anew,
Facing new challenges,
And meeting a new YOU.
Trials may often hit you hard,
And you may wonder why
God allows you to face difficulties,
Even under His watchful eye.

You are God’s masterpiece,
Enduring His mighty forge,
A masterwork still under creation,
In the workshop of the Lord.

The creative process could take long,
But the delay is worth the wait,
As you’d be the best invention,
That only God could create.

 

 

 

 

 

Shaheen Parshad is a writer from India and a journalist associated with English Dailies since last twenty years.Save

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poetry

Verse – Shaheen Parshad

The Lullaby of the Rain

A weary workday’s over
And I’m ready to repose,
But sleep eludes my jaded eyes
Not willing yet to close.
My body craves good sleep,
But that’s so hard to find,
As the events of the busy day,
Still haunt my tired mind.

I toss and turn upon my bed,
But sleep is nowhere around,
Then all of a sudden my ears pick up,
A restful, welcome sound;

It’s Mother Nature that’s shedding tears,
For humans who cannot sleep,
For stress, physical fatigue notwithstanding,
Even when the night is deep;

Her tears—the raindrops—knock at my window,
And my tin roof too,
Saying, “Sleep soundly as we belt out
A melody for you.”

Pattering through the trees,
And tapping my windowsill,
The raindrops impart a caressing sound
That produces rapturous thrill.

The atmosphere turns pleasant,
My wakefulness is gone,
Thanks to the repose induced by
Their sweet, relaxing song.

Gently, rhythmically as they drum
Their soothing nocturnal refrain,
My eyelids respond, by closing in sleep,
To the lullaby of the rain.

 

 

 

 

 

Shaheen Parshad is a poet from India and a journalist associated with English Dailies since last twenty years.Save

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poetry

Verse – Shaheen Parshad

My Riches

I may not be wealthy in the worldly sense,
But I have riches most people can’t see,
The winds daily crown me with crystal wreaths,
I have jade and sapphires in the green of every tree.
I have pure gold in the intensity of the rising sun,
I have silver streamed by rays of the moon,
I have beryl in the sparkle of the morning,
And topaz in the brightness of the afternoon.

I have red rubies growing in the roses,
I have garnets in the blooming marigolds,
I have Nature’s best all around me,
Even my hair has highlights of silver and gold.

The raindrops adorn me with rare diamonds
When heavens open up with all their might,
I have platinum in the flash of the thunderstorm,
And amber in the stars to light up the night.

 

 

 

 

 

Shaheen Parshad is a poet from India and a journalist associated with English Dailies since last twenty years.Save

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poetry

Verse – Riddhi Lalwani

The Reptilian

 

I met a reptilian body once, one with emerald eyes,
silver skin and a tongue that spewed lies.
The curve of its grin drew its skin deep,
and its coy smile hid its crooked teeth.
I couldn’t help but follow as I fell for its light,
As it looked at me, it bowed, smiling with delight.

In exchange for revealing its mysteries in the darkness during night;
it took a peck from my bosom, and puked a red light.
It looked at this light as one would a stone,
I tried to make it see, see how it shone.
It laughed and said hearts never shine.
I wanted to show they did, before it tossed away mine.
It touched my wet cheeks after burying it like a stone,
fragile things are better left behind, hearts get broken, and hearts get torn.

What it said, filled melancholy in its eyes
So I gave in, gave up on my light.
I felt unafraid when I followed it in a deep dark hole,
What did I have to lose? , I had already lost my soul.
I could hear my heart pleading, asking me to return
But there was light waiting to be seen and lessons meant to learn.

It tasted my hand,
And said, it didn’t taste half bad
There were mysteries, it would show,
If only I knelt and started to bow.
Don’t do it, it pleaded, if you don’t trust me in the end.
So I shrank, for the fear of losing a friend,
My heart sank somewhere as it swallowed me entirely,
Inside, I saw no light and soon I fell asleep.
I woke up from a slumber and wondered if I died in a dream.

The answer, I found, in the same red sight,
That still kept calling for me,
after being abandoned for another light.
It was hard to breathe,
and even harder to kneel.
And as, my folded hands got sore,
at last, I couldn’t bow my head anymore.
So I left the dark hole to reach for my own red light.
The serpent’s body was ripped open, but I knew it’d survive.
I never saw its heart; somewhere it had buried away its light.

 

 

 

Riddhi Lalwani is a writer from Vadodara, India and is a founder of GlassySky.

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poetry

Verse – Sneha Subramanian Kanta

J. Alfred Prufrock’s Letter to His Brown cousin

 

The blue sea and white foam mix as Picasso’s
color palette, but it has different veins. At noon,
I rolled my flannel trousers in three folds, then
wiped snow off the window rails stuck there
like white wax. There was a flood outside but I
preferred the company of plants that grow when
it rains outside. I brought bread, candles, envelopes.
The stamps and paper were in stock. Who thinks
of how things in the house were placed while they
read a letter? Perhaps there is a haphazard link.
I am full of unwanted details. The sink is clean like
shallow water in monsoon. I saw Greenshanks scatter
by the bay while smells of cement sprinted from the sea.
Does a year add anything to increase written volumes?
I end with a philosophical anecdote and hope it shines
on the page for you to learn. We are descendants
from the same fate and I request you to touch a tattered
cloud from the sky when it rains on the other side.
 

 

 

 

 

Sneha-768x1024Sneha Subramanian Kanta is a poet from England, United Kingdom, A GREAT scholarship awardee and a co-founder of Parentheses Journal.

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poetry

Verse – Sneha Subramanian Kanta

Postmodernist

 

I.

It was closer to dusk. The sun had gone and everything was undone,
came into its original form. They walked like apparitions and shed
their pre-occupations. There were billboards all over the town of fools,
everything could be brought, except turnips and star turtles that grew
over depleting surfaces of the wild.

II.

That day when it rained, there was a sleet of gray. Stones were the only
ones with patient faces. Everybody else, among those clad in suit and tie
were ready to charge until they had their morning cup of sugar induced
drink. Be drunk was the motive, so you cannot face reality. It was much
for them to meddle into the private business of the world: they survived.

III.

What was climate? I had no answers though I excavated deep within
the cavity of a town and its skies. Only a river flowed through me amid
an existence filled with the brave. It was a time of dates, plums, musk
of autumn and harvest. I stood by a graveyard and spoke to several pasts.

 
 
Sneha-768x1024Sneha Subramanian Kanta is a poet from England, United Kingdom, A GREAT scholarship awardee and a co-founder of Parentheses Journal.

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poetry

Verse – Sneha Dewani

Two Poems

Female Genital Mutilation

I was taken to a room with a belief I had in them but that did not stop me from crying and shouting in pain, but that was for my benefit and I so had to accept, but a made up story fed in my mind made me accept the things which weren’t right, but my purity was their motive, so they were ready to risk my life,

but I was unaware of the crime they had done and started hating them when I was mature enough to understand but the pain I bore years ago started to haunt me more, but I was uncomfortable when I got my genital back and happy they were because they were proud, they got purity and I am haunted again, I, a victim of FGM, believed in them, their tales, their hidden holes of hypocrisy,

but I

remained here with my voice, I remained here with letters foaming at my mouth for long to speak.

Everything is an art

From the things you use,
to the dreams you fetch.
The beauty you catch a glimpse of,
and the deeds you do.
Everything is an art.
Some things which are hidden,
and the ones flaunted.
Time, you spend after waking up,
and the dreams you see asleep.
Everything is an art.
The way you grow up,
to live your childhood again.
The failures you suffer,
and the destiny you reach.
Everything is an art.
The tears you shed,
and the smile which makes you shine.
The importance and glory in everything,
which you are unaware of.
Everything is an art.
Negatives you run from,
Positive that you wish.
No matter what you think,
and whatever I say. In
Everything is an art.

Sneha Dewani is a poet from Raipur, India and is pursuing her degree in architecture.

poetry

Verse – Sneha Subramanian Kanta

Winter in Frankfurt

is a diphthong. There is a loud silence in
the void of white snow that leaps over
toward smaller towns. There, I recite
Beethoven, with print outs of his letters
                                    to an Immortal Beloved
                                    scattered over my desk.
Outside, I cannot enjoy literature
without the taste of Otherness.
Mouth your urge to vacate these
entitlements to a language.
                                   The season is a placid
                                   hyperbole to existence

                                  in resurrections it offers
stolen by coral leaves.
Stifled, the moss cannot grow.

 

 

 

 

 

Sneha-768x1024
Sneha Subramanian Kanta is a poet from England, United Kingdom, A GREAT scholarship awardee and a co-founder of Parentheses Journal.

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poetry

Verse – James Croal Jackson

Caterpillars

I watched us turn into centipedes,
not butterflies– tiny legs to run
pushed out of us, not wings.
In half-moon light we crawled
the hollow ridges of our bodies.
Someday, we thought. Children.
But it was true: neither of us knew
how to bloom. We kept scratching
at the other’s skin digging
for the beating heart
but only exposed the blood.

 
 
Five Minutes: Rain
 
Thunder
was the memory–
booming in bloom
I take
without giving
you petals.
With mist lifting
off Lake Dardanelle,
I ask
what it means
to be new–
so young was the fog
the mind’s cleaver sliced.

 

James Croal Jackson is the author of The Frayed Edge of Memory (Writing Knights Press, 2017). His poetry has appeared or is forthcoming in FLAPPERHOUSE, Isthmus, The Indianapolis Review, and elsewhere. He edits The Mantle. Find him in Columbus, Ohio or at jimjakk.com.

poetry

Verse – Graham Duncan

Because

Amidst all their inspiration
and encouragement,

the same advocates—
believing themselves

champions of the arts—
leave us stranded by ourselves

to cross canyons on our own.
No confidence or consciousness,

or instruction manual on
how to build a bridge.

Without any mention
of the sleepless nights

after the sun has set, staring
at a blank monitor

with a blinking cursor,
that refuses to push itself

across the bright, white desert.
Or about the empty pockets

or the mountain on your kitchen counter
continuously climbing to new heights,

bill after bill, and tax after tax.
Go chase your dreams,

because the founding fathers said so.


Graham Duncan
is an alum of the Department of English and Foreign Languages at Lander University in Greenwood, South Carolina. He was recently awarded the Margaret M. Bryant Award from the College of Arts and Humanities. In his free time, he enjoys reading and writing poetry.

poetry

Verse – Sneha Subramanian Kanta

Rivers and Philosophies

I often recite discourses
of Eastern philosophy –
from the other side
of Thames
like a tributary of the Ganges.
The pattern of my source –
constantly filling in a world –
full of ropes,
ropes and more ropes
tying you to the center
untie with the constant spirit
lurking beside shadows
from within darkness –
imagining and drawing
a dharma consciousness.
 

 

 

 

 

Sneha-768x1024
Sneha Subramanian Kanta is a poet from England, United Kingdom, A GREAT scholarship awardee and a co-founder of Parentheses Journal.

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poetry

Verse – Anushka Pandit

Three Poems

 

I. The Question Before Arrival

The flowers in my vase may bloom again
the rains may come back
the sun on my window might shine
and so would the stars in the night black
I can hear the tick of the clock
The voices in my head
Yes, I can hear them mock
Having been here for quite long in silences
Is that not enough to bear
Do I have to take more
Some more pain and fear

 

II. The Mist

Walking through those lanes
feeling the mist in the air
There was something about the trees
How we used to hide in their trunks together
Where no one could watch us
There was something about the chirping of the birds
How we used to put ears to them
There was something about the flowers
How you used to pick them for me
There is something about these thorns
How you used to bend down to ease me
There is something about this sky
with those stars shining bright
How you used to call me the moon
And I would say the moon has spots of all kinds
There is something about these walls
How they used to take us away into another world
There’s something about that house across the fence
Where Mr. Old Uncle used to sit in the balcony scolding us
I walk again through this lane today
The trunks of the trees peep at me
say we’ve been empty for a long time
The birds sing a different song today
The flowers don’t bloom anymore
The thorns stay on the path
pricking my sole and soul
The stars have lost their brightness
the moon actually looks dark with spots
The walls stand there stil and I at once say aloud
the world across is incomplete without you
Mr. Old Uncle still sits on his squeaking wooden chair
We exchange looks, the misery in his eyes and mine is same
We both understand how time has shattered us
how someone close has left us alone
I keep walking with this nostalgia
Trying to hold my broken parts
I’m walking with this nostalgia
The surroundings are crying with me
I’m walking with this nostalgia
With my soul falling apart.
I cry for you. I cry for you.
Can you hear me? Please come back
is all I say and feel lost.

 

III. The Young Love

All the other men
busy in competition
could not find anyone
who would combine with me as one
Then noticed one along me
saw I he never crossed me
Never had intentions to move ahead
All sense of competition through the way he shed
He was the one I looked for yes
My long search for the happiness door
finally complete and satisfied was I
to him then my life I tied
Now we went together and on
He mended my heart, badly torn
Becoming a part of me
My future with him I see
Maybe I don’t express well
Maybe I don’t know how to tell
But now all that I want to do
is to very tightly hold you
Hold you forever till I die
Forgive me if I am ever shy
You were are and will be mine
I were am and will be yours.

 

Anushka Pandit is a poet from India.

poetry

Verse – Giacomo Leopardi

The Last Song of Sappho

Thou tranquil night, and thou, O gentle ray
Of the declining moon; and thou, that o’er
The rock appearest, ‘mid the silent grove,
The messenger of day; how dear ye were,
And how delightful to these eyes, while yet
Unknown the furies, and grim Fate! But now,
No gentle sight can soothe this wounded soul.
Then, only, can forgotten joy revive,
When through the air, and o’er the trembling fields
The raging south wind whirls its clouds of dust;
And when the car, the pondrous car of Jove,
Omnipotent, high-thundering o’er our heads,
A pathway cleaves athwart the dusky sky.
Then would I love with storm-charged clouds to fly
Along the cliffs, along the valleys deep,
The headlong flight of frightened flocks to watch,
Or hear, upon some swollen river’s shore
The angry billows’ loud, triumphant roar.

How beautiful thou art, O heaven divine,
And thou, O dewy earth! Alas no part
Of all this beauty infinite, the gods
And cruel fate to wretched Sappho gave!
To thy proud realms, O Nature, I, a poor,
Unwelcome guest, rejected lover, come;
To all thy varied forms of loveliness,
My heart and eyes, a suppliant, lift in vain.
The sun-lit shore hath smiles no more for me,
Nor radiant morning light at heaven’s gate;
The birds no longer greet me with their songs,
Nor whispering trees with gracious messages;
And where, beneath the bending willows’ shade,
The limpid stream its bosom pure displays,
As I, with trembling and uncertain foot,
Oppressed with grief, upon its margin pause,
The dimpled waves recoil, as in disdain,
And urge their flight along the flowery plain.

What fearful crime, what hideous excess
Have so defiled me, e’en before my birth,
That heaven and fortune frown upon me thus?
Wherein have I offended, as a child,
When we of evil deeds are ignorant,
That thus disfigured, of the bloom of youth
Bereft, my little thread of life has from
The spindle of the unrelenting Fate
Been drawn? Alas, incautious are thy words!
Mysterious counsels all events control,
And all, except our grief, is mystery.
Deserted children, we were born to weep;
But why, is known to those above, alone.
O vain the cares, the hopes of earlier years!
To idle shows Jove gives eternal sway
O’er human hearts. Unless in shining robes arrayed,
All manly deeds in arms, or art, or song,
Appeal in vain unto the vulgar throng.

I die! This wretched veil to earth I cast,
And for my naked soul a refuge seek
Below, and for the cruel faults atone
Of gods, the blind dispensers of events.
And thou, to whom I have been bound so long,
By hopeless love, and lasting faith, and by
The frenzy vain of unappeased desire,
Live, live, and if thou canst, be happy here!
My cup o’erflows with bitterness, and Jove
Has from his vase no drop of sweetness shed,
For all my childhood’s hopes and dreams have fled.
The happiest day the soonest fades away;
And then succeed disease, old age, the shade
Of icy death. Behold, alas! Of all
My longed-for laurels, my illusions dear,
The end,–the gulf of hell! My spirit proud
Must to the realm of Proserpine descend,
The Stygian shore, the night that knows no end.

 

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is widely seen as one of the most radical and challenging thinkers of the 19th century

poetry

Verse – Giacomo Leopardi

The Lonely Life

 

The morning rain, when, from her coop released,
The hen, exulting, flaps her wings, when from
The balcony the husbandman looks forth,
And when the rising sun his trembling rays
Darts through the falling drops, against my roof
And windows gently beating, wakens me.
I rise, and grateful, bless the flying clouds,
The cheerful twitter of the early birds,
The smiling fields, and the refreshing air.
For I of you, unhappy city walls,
Enough have seen and known; where hatred still
Companion is to grief; and grieving still
I live, and so shall die, and that, how soon!
But here some pity Nature shows, though small,
Once in this spot to me so courteous!
Thou, too, O Nature, turn’st away thy gaze
From misery; thou, too, thy sympathy
Withholding from the suffering and the sad,
Dost homage pay to royal happiness.
No friend in heaven, on earth, the wretched hath,
No refuge, save his trusty dagger’s edge.
Sometimes I sit in perfect solitude,
Upon a hill, that overlooks a lake,
That is encircled quite with silent trees.
There, when the sun his mid-day course hath reached,
His tranquil face he in a mirror sees:
Nor grass nor leaf is shaken by the wind;
There is no ripple on the wave, no chirp
Of cricket, rustling wing of bird in bush,
Nor hum of butterfly; no motion, voice,
Or far or near, is either seen or heard.
Its shores are locked in quiet most profound;
So that myself, the world I quite forget,
As motionless I sit; my limbs appear
To lie dissolved, of breath and sense deprived;
As if, in immemorial rest, they seemed
Confounded with the silent scene around.

O love, O love, long since, thou from this breast
Hast flown, that was so warm, so ardent, once.
Misfortune in her cold and cruel grasp
Has held it fast, and it to ice has turned,
E’en in the flower of my youth. The time
I well recall, when thou this heart didst fill;
That sweet, irrevocable time it was,
When this unhappy scene of life unto
The ardent gaze of youth reveals itself,
Expands, and wears the smile of Paradise.
How throbs the heart within the boyish breast,
By virgin hope and fond desire impelled!
The wretched dupe for life’s hard work prepares,
As if it were a dance, or merry game.
But when _I_ first, O love, thy presence felt,
Misfortune had already crushed my life,
And these poor eyes with constant tears were filled.
Yet if, at times, upon the sun-lit slopes,
At silent dawn, or when, in broad noonday,
The roofs and hills and fields are shining bright,
I of some lonely maiden meet the gaze;
Or when, in silence of the summer night,
My wandering steps arresting, I before
The houses of the village pause, to gaze
Upon the lonely scene, and hear the voice,
So clear and cheerful, of the maiden, who,
Her ditty chanting, in her quiet room,
Her daily task protracts into the night,
Ah, then this stony heart will throb once more;
But soon, alas, its lethargy returns,
For all things sweet are strangers to this breast!

Belovèd moon, beneath whose tranquil rays
The hares dance in the groves, and at the dawn
The huntsman, vexed at heart, beholds the tracks
Confused and intricate, that from their forms
His steps mislead; hail, thou benignant Queen
Of Night! How unpropitious fall thy rays,
Among the cliffs and thickets, or within
Deserted buildings, on the gleaming steel
Of robber pale, who with attentive ear
Unto the distant noise of horses and
Of wheels, is listening, or the tramp of feet
Upon the silent road; then, suddenly,
With sound of arms, and hoarse, harsh voice, and look
Of death, the traveller’s heart doth chill,
Whom he half-dead, and naked, shortly leaves
Among the rocks. How unpropitious, too,
Is thy bright light along the city streets,
Unto the worthless paramour, who picks
His way, close to the walls, in anxious search
Of friendly shade, and halts, and dreads the sight
Of blazing lamps, and open balconies.
To evil spirits unpropitious still,
To _me_ thy face will ever seem benign,
Along these heights, where nought save smiling hills,
And spacious fields, thou offer’st to my view.
And yet it was my wayward custom once,
Though I was innocent, thy gracious ray
To chide, amid the haunts of men, whene’er
It would my face to them betray, and when
It would their faces unto me reveal.
Now will I, grateful, sing its constant praise,
When I behold thee, sailing through the clouds,
Or when, mild sovereign of the realms of air,
Thou lookest down on this, our vale of tears.
Me wilt thou oft behold, mute wanderer
Among the groves, along the verdant banks,
Or seated on the grass, content enough,
If heart and breath are left me, for a sigh!

Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi was an Italian philosopher, poet, essayist, and philologist. He is widely seen as one of the most radical and challenging thinkers of the 19th century